Using this method a Plaster of Paris copy can be made of an unfired clay original. The source sculpture is usually lost in this method. Contrary to the siliconenmalmethode the mold is only good for one casting, tenzij de mal geheel uit lossende delen gemaakt is van een glad afgewerkt boetseerwerk. This method is suited for sculptors who do not have access to a kiln, but want to make a permanent sculpture.
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